Thursday, June 28, 2007

Harp on it

Andrew Bird

Armchair Apocrypha

In other hands or mouths, Andrew Bird’s crossword-puzzle vocabulary and lyrical obsession with science, psychology and obscure history might come across as pretentious; or, worse, pedestrian. But accompanied by his trademark layered violins, glockenspiels and guitars – and his elegant voice, as capable of deadpan as jazzy soul – the Chicagoan’s profundities are like juicy tidbits of a refreshing and witty late Sunday afternoon conversation (or therapy session). Set around modern fears and revelations, the conversation began with 2003’s Weather Systems, Bird’s first solo album, and continued on 2005’s brilliant The Mysterious Production of Eggs. On Armchair Apocrypha, Bird’s ruminations have grown even deeper, with rich musical flourishes to match. On tracks like Heretics, Dark Matter, and Cataracts, Bird isn’t just feeding us food for thought; these are some of the sweetest pop candies of the year. Alex Pasternack

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